Showing posts with label hacienda band. Show all posts
Showing posts with label hacienda band. Show all posts

Jan 5, 2017

Morning. Unwanted pt 5 (a hymn of forgetting)

It started with my eyes.

Darting calmly between the soft, pink floor mat and the florescent light above. Half of my face buried drooling in cotton-shag. Lost in whatever stupor I had fallen into. 

I had lost the hour, when finally the bloodlines around my irises stopped throbbing in a wave of calm.

Coolness ran across my forehead like the gentle massage of loving fingers expanding through my face.

The touch, long and delicate reached back through my brain. Scratching, soothing down the cracks of my spine, across my shoulders.

Light.

Heavenly light. I could feel her. Across the country. I haven't known too many touches like this...

I felt still.
a relaxed feeling 
I've hadn't felt in how long? ... 
have I ever felt this calm?
how do I describe freedom of sadness? 
to be relieved of my knowing?



I looked down at the pink bath mat. As every molecule was cut from its gravity and I was lifted up. Off the floor away from the white tiles. Detached. Forgetting anything that held me to the ground. 

My right hand rose away from me, and like I was turning over in air to the ceiling than back to the floor as my legs hit the light fixture. My spine rolled up to meet it until I was lying flat against the ceiling looking down to the body below. 

There was music for him. Around me. Music for them. I heard the strum. And hymn of forgetting. The music of the stars.

And felt no fear for him. Always to be the face in the water... knowing what I am, and finally forgiving him... there that was a genuine smile.



to be cont.


-rene

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mood: Vivaldi: La Follia

  • Sonata in D Minor, Op. 1, No. 12, RV. 63, 'La Follia': I. Adagio (feat. Giovanni Antonini)" by Il Giardino Armonico









Dec 9, 2016

Morning. Unwanted (Wake Me When It's Over) pt 4

Warning: some mildly graphic body sickness descriptions. So skip if you don't like that.




It's an ugly feeling being sick. Body failing. Feeling frail. 

Somewhere outside of Portland, my mind raced with odd ideas during the sickest night of my recent memory.

- I can't believe you drank that much - Rachel texted.

Did I? I did... It didn't feel like it... Maybe... But this bad? The chills. The strange empty pain I felt in my stomach. The ache all over.

- Ugh - I texted back.

- Do you need to throw up again? -

Even her words just about triggered me again. 

Suddenly I remembered vague hints of a few hours earlier when I was hit by the first round. I imagined the smell, the taste when so much dinner, and acidic, putrid water burned through my throat and out mouth and nasal passages.

- Ugh - I texted again trying to shut out the thought and closed my eyes.

Every time I closed my eyes I felt like I was falling towards the back of my head, and just when I thought my eyes couldn't go any further. I learned there was always further. Again and again. Rolling back into the void.

I swallowed hard.

Fighting.

Weak, but my eyes held tight, as if that could keep anything down, while my body feebly clutched to the hotel blankets unable to stay warm. 

First came the colors. 

Swirls of red pulsed open in the blackness of my mind as I feel into the center.  Like gravity folding me into my chest. From that dense red fear emerged a face.  

Or the skin of a face. Behind it heat swirled until the edges of that unknown skin caught fire and burned away. To reveal another face. One I knew. His mouth disproportionately large opened with a cartoonish set of teeth that held his same face again. 

His mouth opened revealing the face again, burning with fire. This all repeated over and over as I fell into the inexhaustible hellscape.

The flames spreading around me and all the while my body shivering. Growing colder and colder


Until my phone rang.

I checked it with one eye only - maybe you should try eating something? - she texted.

My mind took a second to think of the words, and suddenly my body found a surge of energy as it raced itself to the bathroom.
I didn't think there was anything left inside me. But again I was wrong.

For a few moments my body only dry heaved. I felt the pressure building in my throat with each push. Against my jaw. Against the back of eyes the desperately eked out a few drops of tears. Then finally, came a yellow liquid. Nearly transparent and tasteless. 

I only had a moment to think of what that was before it was followed by a small black mass. You could call it a lump? A cohesion of something? In my head I wanted to call it an egg. But it couldn't be. I hadn't eaten anything like it. My body had produced something egg like that now floated in front of me.

I slammed the lid of the toilet and fell back on the bathroom floor. Closing my eyes this time. I heard the hum of the vent above me. A low calm sound. This time there wasn't any rolling backwards. There wasn't any flames. I lay on the floor. On top of a black fuzzy mat. Feeling calm...

to be cont.

-rene


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mood: Wake Me When It's Over - Willie Nelson








Nov 15, 2016

Los Angeles... none of us get anywhere alone.

Just back from LA and I need rest... and music. So thankful to meet with so many great people and re-instill my sense that there are a lot good people everywhere. I love seeing people support each other.


There was a night. Clouded and humid. So much like Houston. I was waiting in line for a show with my friends. 

They were on me about a song I hated. 

A song that always irked me from an artist that irked me even more. They wouldn't let go of it. Singing it. Talking about it. And the more I fought them the more they went at me.

And maybe it was school or maybe it was the week I was having or a recent girl, or the pollen count but,

I snapped, and over-reacted to something that meant nothing to me.

Something that means nothing.

For me that night began an unraveling. 

A slow process of an impossible task. Trying to remove bias from my listening.


I forced myself to listen to things I didn't like. Trying to understand them. And though I could never enjoy them as authentically as others, I did begin to see why they existed. And the music I hated had less to do about the songs themselves and more to do with me confronting my opposites. These were twisted reflections of the things I loved.

I had learned to hate music in order to help me enjoy it more. I had a reason to be so vicious and vigilant. So protective of my identity. That perspective gave me purpose in rigidity. And the more I had invested into my own opinions the more I fell into this trap. 

This isn't unique to me, or my love of music. We are raised to see everything in opposites. But this journey has shown me that looking for subjective truths through a lens of dichotomy can give no understanding at all. It only sharpens the bias. 

Music (like most things in life) isn't a collection of defined lines. It's grey areas, and shades, and blending, and evolving concepts. We can't always have an answer that is good for everyone in every situation.

And being aware of this human deficiency doesn't mean I am still not susceptible of falling into the same traps again and again. 

I still see my opposites as opposing, but when I go back to the ideas and try to place them as a mirror of my own biases, I don't see them with hate but instead with absurdity and laughter. 

I've spent too many days alone. Spent too much time hating. I have no room for that anymore. There are good people. Even some with bad ideas. And none of get anywhere alone.


-rene


Mind Break Mood: Nico - These Days





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Oct 24, 2016

Morning. Unwanted. Pt 3

All sound comes from vibration and that only comes from tension. 

Even then, sitting in the dark of the stage while the rest of the band milled about the amps and cables, our tour manager talking to the club about merch, I set to put on a new set of strings.

There was tension.

Every time I change a string, I feel the tension. The resistance.
I don't know why I get anxious about it...

There was very little light on the stage. And darkness everywhere else. I was thinking of words. Words I had last night when I was alone that left me now. So I turned the strings.

I  like to start on the heaviest string. The E. Sliding through the body, pulling it over the bridge, the slide of steel as it passes, reaches up to tuner, catching on in a turn. Then I move to the lightest one, on a bass that's a G. Then fill in the A. And last the D.

It's the way I learned it from violin. I was probably 5 when I tried to string up my instructors violin. He had me practice on his. That made me even more nervous especially since he didn't talk as I carefully went through the directions he told me the week before.
Start at the lowest. Align the string. Careful not to move the bridge, which is a disaster on the violin, tighten slowly.

"Very slowly," my instructor cautioned, with the first word spoken in 5 mins, "you wouldn't want the string to break and cut back at you." He whipped his finger up to his eye.

Now slower than before, I tightened.

It doesn't take long for a strong to get enough tension to make a sound. The lower the tension the bigger the vibration and the sound stays low.  The more you tighten,  the higher the sound gets.  It's all very simple.

Tension.

Force.

Sound.

But even simpler to understand: too much tension and everything breaks.

"Are we ready for sound check?" I asked only to be met with a shoulder shrug.

The last part of changing strings, cutting off the ends to make it look nice. Four silver tines. Pointed up to the stage lights. Newly stretched and wound and bent. They came out of the headstock. With a set of wire cutters I snipped off each one. Listening to them rattle and bounce as they hit the floor of the stage.

It's a terrible feeling waiting for the snap.

Always makes me anxious.

to be cont.

-rene


ps. as always like, share, subscribe and if you want to talk you can reach me on this blog, youtubefacebook and twitter


mood: Hiroshi Suzuki - Cat





Feb 4, 2016

Savage II - Lost on the Idyll Green


What does Idyll Green mean?

It's an unusual name, but I am anything but usual. And to understand it you have to go back to just after the release of our single Savage (see previous post here).



I had been walking around New York feeling a little depressed, even though we had recently hit the highest mark of our success yet, though I should've been at my happiest.

For a moment, I got the feeling the road had disappeared from under me. 

As if I was falling. 

As if I was disappearing in the crowds. 

As if I had forgotten why I came here in the first place and New York ate away the last of me.Those thoughts for me come all the time, and it's a terrible spiral to fall into.

I came to a small square. Not much more than 10 ft by 10 ft. And a bench with a couple. Older than me but sweet. 

They sat close together. She had her arm around her girl. Coffee at their feet. Talking as the cars, and noise, swam around them. 

I walked past moaning my own thoughts in my head. Feeling the weight of my obsessiveness bury into my chest. Bad thoughts breed bad thoughts. But sometimes they give me a poem for my trouble.

I turned the corner around them. And I entered a small patch of sunlight. A brief patch of warmth that rushed across my face.

And noticed, very briefly, the soft movement of flowers. 

A bouquet. Yellow petals surrounded by lush green leaves, and something gentle mixed in their like babies-breath, though I'm not a botanist I make no promises, wrapped together in brown paper and yarn, they danced against each other in her lap.  

And from there my eyes drew up to her face. Small heart shaped. Framed by her dark black bob and bangs. I saw the smudged makeup. The tracks of tears she had been crying early. And in that moment, I heard these words.

Hope you like it.


Savage II - Lost on the Idyll Green
Never has my truth
been so hard
like then
when I saw
between the mirror and window, no difference
I went to the great city
        who hung gold-like pride down their necks
        who lashed strapped studded collars
        who pierced amber flesh with smiles
        who wore diamond eyes of ambition around heavy fingers
        who tried holding everything, and had nothing

I wanted more, over broken bus and city shouts, than the driving song of death
Never has my truth
felt so obscured
like then
when I walked it every day
drank it
ate it
and didn't know the taste
I went to a small park
        the draped vines
        the lush veil
        the soft-set bed of June
        the wide field
        the cradling valley

And heard a heavenly noise, of heavenly things
Never has my truth
been so clear
like then
when a birth right
of an open mind
planted and grew
lost on the Idyll Green
I went to her, as she welcomes everyone
       the grace in her step
       the truth in her turn
       the singing indescribable
       the numbered dew-drops
       the silver and gold like humility she wore
       and knew there was nothing more than everything about her


-rene



check out more including a free song here: youtube.com/c/idyllgreen

ps. as always like, share, subscribe and if you want to talk you can reach me on this blog, facebook and twitter




Dec 24, 2015

Christmas Time Is Here, Podcast, New Band and More

Feeling very jittery today.

Early this week we released the video for Christmas Time Is Here. If you haven't seen it yet:


Besides the song itself coming out amazing, really happy with that drum and bass groove and the trippy vocals, the video was a blast. A lot of small in-jokes and really fun things came out during the making of it.

BTW, big thanks to the amazing Alan Smithee for helping us out. Also big thanks to everyone for watching and giving kind words. It is very appreciated.


This is that start of something much bigger. We are going to be releasing more content starting with this video. I'm also announcing a project that I have been alluding to for a while.

First is our podcast:


Why Didn't I Write That?


It's my brothers, our friend Jack, and myself, talking all about songwriting and pop music and our deep love for everything that is catchy and cheesy. It's going to be a lot of fun. We have done a few already and I know if you are into this kinda stuff you will dig it.



I also have to mention the new band:

IDYLL GREEN


It's fun, dancey, catchy, heard it described as Texas Night Club music. Still with a vintage flair, but more modern, more to come soon. I know you'll like. I love writing it. And I will definitely be going in-depth into the songwriting of that soon. 

Don't panic Hacienda still exists and we will be doing things in the future. 

But for a good while now we have been building our studio Saxet Sounds, been writing for ourselves, and others, and have a lot of material, so even though things have been quiet. This is going to start happening very soon and very fast.

There's a lot more I won't get into yet because this is so much to take in, but I am just so happy that it is finally happening.

And so ready to share this journey with you.

so much love


-rené

ps. as always like, share, subscribe and if you want to talk you can reach me on this blog, facebook and twitter

Oct 30, 2015

Right Thoughts / News Update

Right Thoughts / News Update
 
Been having a really good week. Halloween and dominating at my beer league trivia! But even more important, we finished doing a track for our friend Larry Gee great singer from Dallas, check him out he's awesome and starting work on some new music... that's all pre-production beat building stuff right now... it'll take some time before we start tape rolling.
 
Then business calls with mgmt and booking; getting things ready for Idyll Green. I'm hoping for new music and shows starting next year. I'll be giving you updates as they come.
 
So exciting. Can't tell you how ready I am for this to get going.

Also I decided that I'm going to be opening up on my blog. So look for more writing like this here once a week, plus a continuation of my travel stories once a month.
All part of me trying to focus myself a little better.
 
much love
 
-rene

Oct 23, 2015

605 Miles From Home pt. 1

605 Miles From Home 


I'm at the end of the tour. Hovering just under 4 weeks out. In Little Rock. 

The other musicians are in and out of a hotel day room. Showering. Resting. Calling loved ones at home. Lounging on the bus. Getting ready for tomorrow's flights. Everyone's a little edgy, a little somber, and more than a little hungry.

I've spent the afternoon on a walk around town with our drummer Fred and Lindsay, after a big lunch of coursePretty much how it's been everyday, except that today is a mix of excitement, melancholy, and homesick desperation. Last days are heavy.

Sam, the guitar tech and all around great guy, is setting up gear on stage. After lunch we had load-in, which is why I'm taking a breather, I won't have something to do until sound-check in a few hours.

The driver Sean is working on the bus. The generator has been tricky for the last few days, but it was able to make it to the lot behind the club overlooking the Arkansas River. Nothing as bad as when the brakes went out in Montreal almost making Heartless late for a festival in Toronto. That's just par for the course, when you put that many miles on anything, the small things start to give out. 


Walking, sitting, waiting, and writing. Thinking about everything that's happened to me on this run. Wild thoughts. Strange dreams and epiphanies. A string of days where everything felt dark. Nihilistic comedy. Jubilant performances. 


And now. 


A handful of giant fist-sized crickets passing by my head. A grandmother pushing two toddlers in a stroller. And I listen to the river.

There are a million little things I could tell you about: strange people, inside jokes, tensions and arguments... the dark stuff makes for easy stories... but I'll try to write something about Gratitude, a word rarely used in this business. Though it might take me a second to get there.

I feel it's important. Cause I feel really grateful. Now on this bench. Writing to you. So close to home. And from day one, from the moment I had landed in New Orleans... or actually a little after that.


"Thanks for flying with us."

I nodded back weakly, not because the flight was bad, I'm just not a morning person.

I was getting an unusual amount of hospitality from the attendants. I'm not used to First Class. And the only reason I'm there is because of some fluke about the number of bags I can carry and how much musical instruments it was cheaper for me to fly first class. Anyways... It was 9 in the morning and I already had enough snacks and diet coke to last me till lunch, but that still doesn't mean I was ready to talk to people.

'Baggage claim's next on my list," I think turning on my phone, following the heard off of the plane. 

'Baggage claim,' and as my phone loads up the regular amount of programs and updates, I get an email from Mgmt. I read it as I collect my bags ahead of everyone else: one of the perks of first class.

Rene. You'll be landing first. The guys should be a couple of hours behind. It'll probably be easier for you to wait at the airport until they arrive. Then you can go to the rehearsal together.

'Only a couple of hours at the New Orleans airport...' I think passing the last restaurants and shops, heading through security.

And now it's too late to go back.

The waiting area for rentals and taxis is small. Real small. Two vending machines and an empty help desk, a rack of pamphlets... and no where good to kill 2 hours.

And soon I'm waiting outside on the smoking bench, with my gear and bag, next to a fifty something women burning through a second cigarette.

"You get kicked out?" She asked.

"What?" I was in to much of a daze to understand her. Till she points at all my things with a deep violet polished finger. "You got a lot of stuff hun... looks like you got kicked out of your apartment."

"No... I'm playing tomorrow," I said kicking my bass case, but she starts laughing, deep and husky.

'She's messing with me.'

"I know, I know hun," she laughs more then turned away. Taking another drag. Leaving me feeling strange.

Should I leave? Where would I go? Does she want to talk or just tell me that joke? That was a joke, right?

Then she snubs out the butt under a heel, and sits next to me, "Who ya wanting for?"

"The rest of my group."

"By yourself?... hmm."

"Yeah,"

"Why ain't they here? The rest of your band? Shouldn't a band be together?"

"They are... uh... coming from New York, I think,"

"You don't know?"

"I've never played with these guys before," I said trying to explain this situation. But I don't know how interested she really is. 

She's getting to the end of the smoke, "But you're playing tomorrow?"

"That's right..."

She says something else but it was lost in the roar of a bus pulling away from the stop, and I don't really feel like asking her to repeat.
She starts looking through her Iphone with one hand. Grabs the cigarette pack off the bench between us and without another word, walks away.


There's a weird moment when I'm alone. And I notice a breeze hadn't come by in a while. And I notice New Orleans is warm. But not the kinda warm that I have in Texas. The air is heavy and wet. The warmth is hovering all over me. I could feel it sitting in my chest. Why hadn't I noticed this before?

I try to distract myself. Pulling out my phone. Playing a quick game. Then check my emails as a new group of passengers comes thru.

I look over the schedule.

Show after show.

Only a few days off.

Why hadn't I noticed this?

And all I can think of thru the woman and her cigarettes: Everything's different.

The people unloading from planes. Grabbing their bags. Getting into taxis. New Orleans: Everything's different.

And I think about the last bus tour I did. The smallness of a bus bunk. Buses are small: Everything's different.

My family back at home. My son. My wife. Everything's different.

I've got a month on a bus with a band of guys I don't know. Everything's different and anything could happen.

Then my phone buzzed.

-Rene. We landed. Where are you?

To be cont...



-rene






Oct 6, 2015

Thoughts From 39,000


Last month I got a emotionally heavy. Getting those feelings off my mind is good though. I need that every now and again. Like a sad song, these thoughts can build inside of me and need to be processed out even when I'm in a good mood.

And life has been good for me. Though for you guys it might look slow, I don't know if I've ever been this productive before. 

Right now I'm on a flight back home from LA. Cramped up in the middle seat between a sleeping wife, she's is the best part of this, and a large guy who never learned how to share or not invade personal space. Best not to look towards the aisle... Then there's the window. The sky. The miles of desert between Texas and California.

After exploring the city; traveling without working is one of bigger life goals; meeting new people, amazingly talented people my brothers and I are so excited to be working with; the beach; the freak-show; a really great recording studio; it's been unbelievable.

So I'm in the air. Going over it in my mind. Holding on to it. Listening to the engine. 

Dreaming...

---

Of days when we traveled in a used conversion van. Four captains chairs. Little beige mini-blinds on the windows. Rope lights everywhere.

I was 21 and hungry for everything.

We'd loaded up with the four musicians, suitcases, and gear, cutting up IH-35.

"What's comin' up?"

It was getting hard to stay sitting for so long. "Could use a stretch," I added.

I was eager to get to Ohio, Dan and his studio; but after switching my weight back and forth for the last four hours as I switched between each leg falling asleep, and I needed out.

We were only a jump northeast of Dallas into Arkansas at a small convenience store; I stepped out of the van for the first time since we left San Antonio. And already in a different world. Hope.

It wasn't exactly what I imagined leaving Texas would look like, but it was a start.

New horizon. New trees. New air bursting in my lungs pushing me to the edge between life and dream for a nobody from nowhere. I had spent years as an invisible. Wanting. Waiting. Sometimes my childhood felt like a slow fall to death. Knowing the world was busting with life happening everywhere else. And I only had to find it. But I was stuck.

---


"Would you like anything?" The hostess whispered over the belly of my sleeping neighbor.

She was in her late 40's, well dressed with a floral scarf around her neck like this was a jet off a Mad Men ad.

"Diet Coke," I said automatically. It's my junk. My vice.

"More crackers," Rachel said softly to me, still with her eyes closed.

"And more crackers," I passed down the message.

The hostess slashed a couple tick marks on her paper then moved across the aisle.

Rachel shifted her head gently against my shoulder.

Maybe because it was our first trip, or maybe because it was so strange, but I remember this rest stop well.  Better than the hundreds since that I couldn't tell you a thing about.

---


"Hmm," the lady behind the counter looked me over as the bell rang over the gas station door. 

I nodded politely. 

"You look exotic," she said without pause or hesitation. Somewhere between surprise and apathy. 

I didn't know how to answer her with anything other than a smile and another polite nod. A real Texan.

The lady kept an eye on me from behind the counter, as an orange and black calico bounced out from around her feet, rounding the lotto ticket display, cutting thru my legs, and down a small row of protein bars to the back of the store..

I followed heading towards the refrigerators.

"Where you from?... You look different."

"San Antonio," I answered checking back over my shoulder with a quick look at her. She was still staring at me. 

I could feel her examining everything about me, detached and scientific. I felt naked. I felt embarrassed.

I tried to keep focused. Sprite. Coke. Mountain Dew. But that feeling of her eyes just burned the back of my neck.

My heart jumped when I felt a light touch brush against my leg, but it was just the cat. Pushing it's face into my jeans. Wrapping its tail around the other leg.

"She don't like nobody around here," the cashier yelled at me.

The cat sat down to watch me too. It's eyes frozen on my face.

I could hear the lady shuffling behind the counter, "She must think your different."

"Maybe she's a Texan too," I laughed but I don't think she found any humor in it.

The women's stare turned from cold to angry, "wouldn't surprise me."

She rang me up quietly.

Coke. Trail mix. Money.

The cat ran back behind the counter as someone else came in.
She held the change above my hand, "born in Texas?"

"Yeah," I had my palm open. Waiting.

Her eyes looked me over back and forth, "nah, you look too exotic." She said finally dropping the coins.


---


"Here you are Sir," the softness in the hostess' voice pulls me out of Arkansas and into the air. She's holding the drink out to me and searching her tray for Rachel's crackers.

"Hey, coffee too," my sleeping neighbor butts in. His voice cutting low against her ear as she reaches over to hand us the bag.

The hostess flinches for a second then holding back her anger, she softly says, "A hello first," and she does it so gently, and with a sweet laugh too, the man doesn't even notice the poison behind it. 

He mumbles something between a grunt and a hello.

She's calm but her eyes were ready to kill, "and welcome back Sir. Would you like me to get you something?"

The man smiles unashamedly, "Yeah... coffee."

The hostess flashes a brilliantly white smile and flips around towards the back of train. 

My neighbor is back into his fully laid back and slumped position. A real throaty wind sound is gurgling in his mouth right now as I'm typing this.

Thankfully we will be landing soon. And I'll have another week before I take off to New Orleans to start a tour. Cutting north up to New York, looping back west through Canada, south along the mid-west and ending back in Arkansas.

It feels like I've been here before so many times. But each time I leave I have no idea what to expect. No idea what'll be at the end of this flight. Or waiting for me in Arkansas. New air. New people. New horizons.

-rene

Aug 24, 2015

Elysian Fields Part 1

Elysian Fields Pt. 1

I rolled over, checked my phone and found a text from Brian. I was lying on the bed in my jeans. Listening to the fan. The other guys were out at a movie, so I wasn't expecting to hear from anyone.
After spending the evening in the hotel watching TV, ordering pizza, sleeping, and listening to the rain I had collected this heavy jittery-ness in my chest like I needed to move. Like I had to get out. Like I had to get into something.

-you make it in yet?

Good guy. Musician. Sarcastic and smart. He was like the kid you looked up to in high school for being so cool, for being above the system. He seemed to have an answer for everything. Like he had just experienced it before you. Older than me but kind and encouraging to younger bands. I forgot he lived here, last I saw him he was going promotion work in Boston.

-got in last night... what's up?

I got out of bed slowly. Opened the heavy curtain up to the steel sky, the empty wet roads, and these heavy grey cube buildings. And for a second I felt like getting back in bed when my phone beeped again.

-playing an early show at Elysian Fields. Put you on if you want?

The road. The pillow. I ran my fingers across my chest exhaling a deep sigh feeling the movement under my fingers.

-give me 30

It really took me a couple of seconds to get moving. Working out the cracks in neck, hunting out the cleanest shirt in my duffel.

I washed my face with one of the little hotel soaps, moved my hair around into place, and fished out a pair of salmon red chucks from under the bed. 

Elevator. 

Lobby.

Once I was outside I was hit with the cool air, the clouded dissipated sun, the instantaneous rush of life. Walking in the full breath of the city I quickly paced seven blocks cutting through alley's and side-streets. Flocking among the buildings, the street lights, the clouds, a small herd of  wild urban calico's and the occasional car.

Finally I stood in the doorway. And for a second, I wondered if I was in the wrong place.

Music was playing. Lights were low. But no people. No one was even watching the door to even find out I was on the guest list. 

I checked the address Brian had given me again. 

- I'm here

The club was dressed in typical post-punk fashion.

There are a lot of clubs like this over the country. Black walls scattered with local art and posters. Heavy red curtains. Air like sweat and candles. A few small café tables. All trying to cover up years of graffiti and abuse. 

- Green room... left of stage

I walked myself over passing the bartender as he came out of the bathroom. And felt a little mixture of relived and guilty that I wasn't playing tonight.

"Just that time of year." "School just got out." "School just started." "Everyone's working." "Everyone's on vacation." "Bad night." "Games on." One of a million excuses for why people won't come out to a show. And they are all valid in their own way I guess, but at the end of the day if people don't come out it's cause they weren't motivated to. By the band, by the club, by the promotion, all of it combines into a tangled mess of blame failing to attract an audience. But those things don't need to be said to anyone there, not before the show, and especially when it isn't my night to fail.  Some people make a point to complain but all there is to do is roll with it.

"It's not so bad," I lied, while fighting to get comfortable at the edge of a maroon futon. Too dirty to lean back on, but the edge was wrecked by the metal support bar underneath. 

Brian dug through his backpack ignoring me.

"The night's young."

"Yeaaaah...." Brian dropped his voice an octave into a gravely roll of disappointment. "It's only a Saturday, can't expect too much."

I opened a couple PBR's from the cardboard box at my feet. Put one for Brian on the table. At least they were cold.

"I got this down the street," he lifted a vinyl I'd never see before. 

A faded psych, purple collage jumble of faces, shapes, and words looking like a b-level Axis Bold As LoveBrian always toured with a portable vinyl player set up in the corner of his dressing room. 

"Nice store. I used to go all the time when I was touring... ummm," He took a drink. Closed his eyes. Holding the moment.

"When I was in Philly... working this little shop. Half my pay was in cash. Half in vinyl... That's how bad I am," his mind wandered away as he pulled the vinyl out of the sleeve, set it on the table, "I have to stop myself from blowing all this... ya know... Won't eat tomorrow."

He gently placed the needle down, with more care than I've ever seen from him, "but... love is wax," and a smile broke under his long stringy fallen hair, narrow nose, and tired eyes.
"You doing alright Brian?"

Brian stayed looking at the record. Watching it turn a little too long, "Yeah. Just not sleeping much."

And I knew that. Sleep and touring just never mix, but this felt different. The way he hung his words. The way he seemed to be down.

"Yoooou READY?" A boomy voice shot out from the doorway.

Brian was too busy looking at the vinyl sleeve to care about the new guy.

Black shirt, black jeans, black boots. Big boxy shoulders, square chin that seemed to land right into his chest, short blonde hair, light blue eyes. 

"Gonna be a f*** all night, am I right?" he shouted over the twangs of a fuzzy tele and a poppy snare, grabbing a beer for himself.

This time Brian looked up nervously, and gave an un-assuring introduction.

"Rene this is... Hunter," his voice went up at the end like it was half a question, "His band is playing soon."

"Hey man," we shook hands before Hunter pulled out his key ring, and slid a key between his middle and ring finger. 

Hunter gave a blank stare at me as he lifted his fist in the air and punched open the can, throwing beer down onto the green room carpet, laughing as landed in big splatters around his boots.

"It's gonna be something," Brian mumbled. But Hunter didn't hear that, he was half way through finishing the can in one go.

Beer ran down his chin as he tried to crush the can in his left hand. Holding it out towards Brian, he dropped the beer, kicked it weakly with the toe of his boot, and sent the can into a spin across the room, spraying everything before it pinged off the wall and landed behind Brian's record player.

"S***!" Brian yelled as he raced to clean up his record. 

"Oh Man!" Hunter yelled, "Got the record."

He didn't care. Couldn't care. It was in his face. Smiling as Brian tried frustratingly to clean up. 

"Rock and Roll! Right!?" Hunter looked at me and maybe, just maybe, I saw a slight hint that he went too far falling over his face. But he didn't apologize. 

I'm not good at fake talk. And I'm definitely not good at confrontation either. So I just kinda gave this face in between 'that was not cool,' and ,'I don't even know what to say.' 

There's another side to the business that some people say is almost as important if not equal to talent. And that's just being able to hang. Being able to work in this ecosystem of artists, business people, and audiences and not alienating all of them. I struggle with that, but Hunter, all the Hunters, make me look so good. 

"Here you go Brian," I pulled a bandanna from my back pocket and wiped up the record cover. I
t really wasn't bad. A few drops of beer over the plastic sleeve. Nothing that would hurt it, but I could feel this raw hatred radiating off of Brian. His hand shaking as he grabbed the bandanna.

"Not too bad," I said.

Brian fumbled to clean up the edge of his player. He mumbled something I honestly didn't hear. 

Hunter quietly grabbed another beer. "See you after the set... We can keep this going... Right? Just gonna go find my boys."

He was standing half out the door, "Right," he said one more time. 

Brian nervously fumbled into his shirt pocket, and pulled out a cigarette.

"Let's go," he said holding it between his lips. "I'm... let's go."

He had barely made it out the backdoor to the back alley before he turned around at me.

"What an! Ahhh!" Brian was frantic. His eyes just madly darting around the night. "I don't even know what I'm doing here."


Brian turned in circles, trying to light the cigarette, but unable to hold his hand steady. The door slammed behind me in a clash of metal.

This was more. More than Hunter being a jerk. More than an empty club. There was a fierceness in Brian's eyes. A panic. An anger cracking the surface of who he is. I'd never seen a man break before. I'd never seen a person shatter. And it is exactly that. Everything I knew of Brian. His being. His calmness. It was gone. Slipped apart at the seams.

"What is this supposed..." he stammered, "What am I going to do... here... and all the," he pointed into the club.

"I," I struggled to come up with some words to help him but I was stuck, "I... Brian."

Shoulders shrunk low. He was breathing fast and shallow. Turning to the wall. Folding in on himself, the alley, the darkest corner he could find. Like he wanted to turn into brick, and disappear.

"It's alright," I reached out to him putting my hand on his shoulder. At first he flipped away from me. Turned in a circle like a lost animal but he had no where to go. His eyes feeble fighting tears. "Brian," I grabbed both his shoulders, "It's ok."

"I don't want to,"

"You don't have to. This place. This show doesn't matter. You don't have to play a note."

Brian looked at me. Every part of him was working on breathing.
"But.."

"You don't have to Brian. You don't."

His breathing started to slow down. "It get's so hard."


"It doesn't have to be man." My heart sank for him. It still does. Maybe now I think I would tell him something different. But at the time I was over my head. We were both fighting to get back to the ground. Maybe I was part of the problem. Maybe he needed a better friend. But I was the only one there. And I did what I always do. Get back to the show. Get back to the music. "You don't have to. But you can if you want. You can play all this out. Right? You can do this."


to be continued...

-rene


May 26, 2015

Where Is This Going?




"Where is this going?" 

My words hung unanswered in the dark of the van.

The road felt endless that night, the last few miles to the club was a beat up gravel track down a red brick alley, getting narrower and narrower.

'...beep....beep...' our GPS was freaking out, endlessly beeping and saying '...reconnecting.'

Abe drove focused on the narrow beams from our headlights as we inched past a set of dumpsters and bounced into a pothole with a full thud. The stacked cases in the back of the van rattled and slid before resettling.

"It was supposed to be a mile and a half. Should be... somewhere... here?" Jaime said from the passenger seat, "maybe?"

'...reconnecting...'

"Looks like it's just warehouses out here... I don't even know if we're close," I said mostly to myself.

The rain was soft. It didn't even feel like it was falling, but the air was incredibly wet and the heat from hours of sitting inside the van had fogged the windows.

"There are no signs... no names... ughh... this street sucks," Abe pulled to a hard stop under a lone streetlight, beside a chain-link fence that poorly guarded half of a parking lot.

'...beep... reconnecting...'

"Annnd we're lost," Jaime laughed, while Abe fought to get the GPS back.

There was a long silence as Abe restarted the GPS again. 

I thought about grabbing a book, but my eyes were exhausted from staring out the road and the words wouldn't sit still.

'Where is this going?' I thought again, but this time just in my head.

Click...Click... 

Someone tapped softly on Abe's window. 

Almost out of instinct Abe re-locked the doors before lowering it a crack.

"Looking for something?" a woman asked from the side of the van. I tried looking out my back window at her but couldn't see anything. 

Abe told her we were a band. 

"Club's down there," she pointed into the fence, "other side of the lot. Black door."

Abe thanked her then turned to Jaime, "it's gonna be a weird one," he said as the tires sloshed through the dirt and a small shaded figure with a flashlight stood by my window as we drove past her.

'...reconnecting...'

The club was a warehouse cut into four uneven rooms. If I walked in from the front door and stood in the middle of it, 2 o'clock would be the largest room and the stage with a narrow hallway that went towards the green room and the bathrooms. 

At 10 was a small sheet metal bar pushed against a wall, only selling beer bottles and well drinks. A handwritten, neon sign flashed in the corner advertising a PBR and an unnamed shot for 3 dollars, probably the brightest thing in the building.

Between 7 and 8 was a small area for a pool table, an old cigarette machine, a wall rack with most of the cues missing, and one of those big 20 something inch bulky TVs for sports.  

At 4 was the smallest room with a couple couches for people who were drinking and didn't want to watch the show. And even though it was only a mid-sized place it was too big for the night.

When I get to a new club, I try hard to read the room. The decorations. The lights. The stage. The equipment. The posters on the walls. How clean the bathrooms are. How sticky the bar tops and tables are. How clean the restrooms are kept. The feeling in the air. It's hard to judge an empty room and I've been wrong before, but I walked in and felt Abe was right. This was gonna be a weird one. 


I stood backstage looking out at a mostly empty room thinking again, 'Where is this going?'

Two guys were at the pool table playing their second game, drinking their fourth round. 

Three college-aged girls sat at the bar waiting for drinks. 

The sound guy was talking to a couple of regulars, and I know he really didn't care about us or the night having rushed through sound check while muttering things like, 'doesn't matter anyway.'

The bartender checked his phone with a look on his face like he just realized this wasn't the night he was hoping for.

The first two bands were outside smoking on the patio together with a couple of their friends.

And then I saw the stage set up with our gear. 

Unlit. 

My bass rested on its stand, ready to play. And it didn't care. It didn't worry. Just a machine ready to work.

I think those are the moments that can define a working musician. Separating the ones who want to play and the ones who just want attention. I'm not saying it's good to play those shows, or you have to play one as some sort of right of passage, or that you should be happy to walk out to sparse clapping. What I mean is that if you are in a band, you will probably have bad nights, a lot of them. It's part of being in a band, and when it happens, how you handle it will prove who you are.


"Time to go," Abe said grabbing four waters from our ice chest.

Slowly, into the dark silence, we walked out. 

No one moved yet. 

I kept looking down at my shoes. Not embarrassed, just focusing on the job, going through my check list:

Bass in tune, amp on, flip a pick between my fingers (if I think about the pick too much, it starts to feel wrong in my hand... There's a way the point turns into my palm, cause I use a short edge, where the pick feels like it disappears and it becomes part of me and I can play anything I need to, and I never think about it again).

The bartender yelled to the sound guy, "Ryan! TIME!" His voice cutting through the room and grabbing everyone's attention. 

With a disappointed nod, the sound guy finished his drink and headed to his console. 

The girls moved closer to the stage. 

The guys still finishing their game, looked up for a moment at the stage, then kept playing.

Finally the sound guy gave a thumbs up.

Jaime tapped his heel, and I could hear the high-hat whispering the beat. 

'Where is this going?' 

We were three songs in and I was already sweating from dancing around, singing, and the bright red stage lamps.

'Where is this going?' 

This set. This tour. This cycle. This music. The next string of shows. My life at home. A doctor's bill I had to pay, and a lonely merch table. Questions that could fill an empty room or crowd a sold out arena, bounced in my head.

'Where is this going?' 

An industry seemingly collapsing on all sides. People groaning about how bad music is today. How there used to be real bands. And what am I? Or how good it was before I was born. How people don't care about live music. None of which I believe by the way, cause music isn't about any of those things for me. And if it ever was, the purpose of writing, the purpose of playing would be lost.

I keep writing to make better songs.

I play cause it heals me. 

I sing to save myself from suffocating.

I dance when it moves me.


It should be an honest reaction. In this small of a show, there's no pretension. No reason for the girls to dance. No reason for the sound guy to clap after a song ends. No reason for the bartender to send a round of beers to the stage. No reason for the game on the pool table to be left unfinished. All that happened honestly.

And I look out to the empty room, to watch them watching me. Not because I need the attention, though attention is nice, but because I am amazed to reach anyone hereIn the middle of nowhere. When everything should have gone wrong.

'Where is this going?' 

Sometimes I find that question stuck in my head. Usually on nights like this. When I'm loading out. When the 8 people who saw the show come together at the merch table for a drink. When I am re-stacking the gear into the back of the van, and my shirt is soaking wet from sweat, and the humidity makes me feel disgusting.


'Where is this going?' 

I didn't start for attention.

I didn't start so anyone would like me.

So I don't let it bother me. 

Not when there's 2 people, not when there's 2 million. I haven't gotten nervous yet, knock on wood. Reminding myself why. Asking. It helps me keep my way, as long as I keep asking.





-rene